Monday, February 18, 2019

I Am Watching You Download

ISBN: B06Y1264PX
Title: I Am Watching You Pdf

An Amazon Charts bestseller.

What would it take to make you intervene?

When Ella Longfield overhears two attractive young men flirting with teenage girls on a train, she thinks nothing of it—until she realises they are fresh out of prison and her maternal instinct is put on high alert. But just as she’s decided to call for help, something stops her. The next day, she wakes up to the news that one of the girls—beautiful, green-eyed Anna Ballard—has disappeared.

A year later, Anna is still missing. Ella is wracked with guilt over what she failed to do, and she’s not the only one who can’t forget. Someone is sending her threatening letters—letters that make her fear for her life.

Then an anniversary appeal reveals that Anna’s friends and family might have something to hide. Anna’s best friend, Sarah, hasn’t been telling the whole truth about what really happened that night—and her parents have been keeping secrets of their own.

Someone knows where Anna is—and they’re not telling. But they are watching Ella.

At a loss. Is this meant to be a mystery? I am really sick of the many, many mysteries that have become best-sellers lately which don't have any suspense or mystery in them.I feel like warning other people who love mystery not to bother -- unless you are quite forgiving and don't expect any real surprises or things that make sense.So, SOME spoilers*******The writing is flat, the characters are flat, but this didn't, at first deter me from reading it. Agatha Christie is not exactly a great prose writer, and she does manage to surprise the reader and to build interesting cliffhangers and plots.About 50% into the book I was getting a bit fed up, because there was NOTHING happening. There were chapters ending with stuff like "She couldn't tell anyone what she knew" or "He had done something disgusting" -- not exactly this, but this kind of attempt to create suspense.Well, if you do that, then DELIVER. Instead, it just kept going on, and on and on in the same vein, with us not finding anything else, just more of these from the same characters.One girl has a problem with an abusive dad (GROAN) and thinks he may have something to do with her friend's disappearance -- resolved off page. The dad of the disappeared girl has such a big secret he almost kills himself in a barn. The secret turns out to be so pathetic that I got mad at having to read his thoughts for chapters and chapters. Then, shoot, maybe the girl isn't dead, and we have several chapters of EVERYONE looking at the TV at some police negotiation with a kidnapper.But HEY, it isn't her. The way they saw that it isn't her is sooooo ridiculous that I laughed quite a bit.In the meantime, chapters and chapters about the woman who saw the girls on the train but didn't tell the police they went off with young men because she couldn't decide if that was slutty, dangerous or normal. She is supposed to be the main character and she goes on and on and on and on about her flower shop.Then about her son, who got his girlfriend pregnant. NONE of this has any bearing on the mystery.Then she hires a private detective because she is getting postcards saying "I'm watching you."A lot about the detective, his pregnant wife, their baby being born. Not a lot of detecting. Oh, also the "standard police trauma" (he shot an innocent kid) being introduced late in the game and in a perfunctory manner.There are some police people with a grudge against each other which means zilch to the investigation and changes nothing.Clues that are not clues (just people acting strangely) are given chapters and chapters and chapters to then mean nothing and often get resolved off book.About halfway into the story a POV in italics of the typical psycho ("I'm watching you...I don't like her to be watched...etc") gets introduced and is repeated in the same cliché way several times.FINALLY, the mystery is solved in the MOST RIDICULOUS POSSIBLE WAY. Not through anyone figuring anything out, not by the several police that have been introduced or the private detective -- but because the flower lady SEES A PHOTO.At this point I was covering my mouth in disbelief that any book that sells this much could be so awkward, badly written and unsurprising.Just think of the worst, most awkward episode of one of these TV series about crime. It will be better than this, because it will, at least, be forced to have clues and real suspects.I am AT A LOSS! Truly. I loved Gone Girl, I thought Girl on the Train was disappointing after 60%, this one was just a HUGE waste of time for anyone who truly loves mysteries and wants to follow clues, suspects and be surprised. If you're like that, give this a WIDE berth...Okay, But Could Have Been Better There are elements that are very good in Teresa Driscoll’s book, “I Am Watching You.” At the same time, there are other aspects of the book that were bothersome.The book is composed of short chapters, with a number of characters relating the story. The main character is Ella, identified in her titled chapters as The Witness. Ella was on a train ride and thus became one of the last people to see Anna before she disappeared. She was also able to describe the two young men who had approached Anna and her friend, Sarah. Anna’s disappearance and probable murder haunts Ella throughout the book, as she blames herself for not doing anything to protect the young girls, who are both 16 years old.Other characters are introduced, and some are painted as the potential guilty party. Ms. Driscoll makes the guesswork murky as many of the characters have secrets that may or may not be connected with Anna. The overall plot is good, and the author continues to keep us questioning who might have been involved right up to the book’s end.What bothered me about the book was the writing style and some plot specifics. Ms. Driscoll has a habit of using partial sentences, and while these can be effective, they lose their power when used excessively. At first, because the story started off with Ella relating everything in first person, I believed it to be more of a stream-of-consciousness thought process. However, when the author moved to subsequent chapters (everything else in third person), the phrases and partial sentences continued. While it would have worked for Ella to tell her story in that manner, having every character think the same way seemed to blur the characterizations. The other stylistic device used over and over was the introduction of a secret at the end of almost every chapter. Again, this can be a powerful tool, but when used constantly, the story becomes more bothersome than exciting.Most of the story is told a year later, and the investigation into Anna’s disappearance is still being worked on by the police. When the guilty person is finally revealed, it was difficult to believe that the police would have neglected to perform a full investigation (the author tells us at the end that police only did a “cursory” investigation on the person). I hesitate to say more as it would potentially become a spoiler, but for me, this became a fatal flaw and made the ending feel forced.Coupled with the writing issues described a few paragraphs ago, I ended up with mixed feelings the book. I thought this could have been a great story, and there were elements – characters, a good plot idea, a number of misleading side stories, good dialogue – that might have added up to a fantastic read. Unfortunately, the writing style and the inefficient police investigation brought this down to a better-than-average tale. Three-and-a-half stars.

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